The original work was composed as a "choreographic poem for orchestra" (1919-1920), and a two-piano version by the composer himself was completed in 1921. Based on these, a four-hand (one piano, four hands) version was arranged by Lucien Galban (1877-1957), a lifelong friend of Ravel, and published by Durand. Compared to the two-piano version, the four-hand version is somewhat simplified due to arrangement constraints, resulting in some thinner textures. However, it is an artistic work that "realizes music impossible for one person with two," requiring a performance where the primo and secondo players interact, showcasing the mastery of orchestration. Since there are no pedaling indications in the score, the secondo player must devise pedaling techniques while considering the primo player's sound, and the technical difficulty remains high, similar to the solo version. Despite being for a single piano, it is a work of excellent performance effect, creating a palette of brilliant, sensual, and humorous colors, culminating in a whirlwind of ecstasy.

At the beginning of the score, there is a note by Ravel himself, revealing his "Johann Strauss II's Viennese waltzes."

From swirling clouds, waltzing couples faintly emerge. As the clouds gradually clear, in section A, a dance hall filled with a swirling crowd appears, and the scene is gradually depicted. In section B, at fortissimo, the light of the chandeliers shines brilliantly. The setting is the Viennese court around 1855. (Ravel, author's note)