As this is a concerto, be mindful of the ensemble. Where forte is indicated, interpret it as tutti; where piano is indicated, consider it as a solo instrument, suggesting a reduced instrumentation. Emphasize the contrast between forte and piano.

The composer's score lacks dynamic markings in the second movement. Furthermore, there are no significant register changes in this movement, suggesting an ensemble confined to a limited register. The two voices often proceed in tenths, and hypothetically, given the intricate trills and similar figures, they might be interpreted as two distinct string instruments. Alternatively, it could be considered a string ensemble divided into two parts.

It can be conceived as an ensemble of instruments such as violin and cello, and one might envision an orchestral accompaniment in the background (though not explicitly written here).

When performing on the piano, in the second movement where both voices are separated by a tenth, a balanced sonority can be achieved by slightly reducing the dynamic level of the lower voice.