The title is said to be a play on the name of Edward Lavine, an American clown who performed at the Théâtre Marigny in Paris in 1910 and 1912. Following an introduction featuring a siren-like motif, the motif of the 'cakewalk,' a lively American two-beat dance, is presented (measures 11-16) (see musical example). These two motifs are combined as principal motifs, contributing to the development of the piece. The middle section employs an extended version of the siren motif, taking on a somewhat more relaxed character (measures 46-69). However, the sprightliness is regained from the recapitulation of the cakewalk motif at measure 70. After the cakewalk motif is presented gently at measure 94, the piece regains its vigor, concluding powerfully with the siren motif.

Musical Example: Cakewalk Motif, Measures 12-16