This piece, like many others, is one where a change in tempo can drastically alter its character. From the perspective of its compositional style, including numerous chromatic progressions and, for instance, the writing in measures 11-12 that narrowly avoids clashes between the two voices, it is difficult to determine whether this piece possesses even a slight optimistic mood. Therefore, the ultimate interpretation is left to the performer.

If this piece were to be interpreted as profoundly serious, solemn, and encompassing expressions of sorrow, one could not be negative about playing it quite slowly. In such a case, a uniquely beautiful world would be expressed.

On the other hand, the piece is written in 2/2 time, and the idea that eighth-note passages, such as those in measures 5-8, might become drawn out if the tempo is too slow cannot be dismissed.

Is this piece a vibrant and energetic work? Or does it express a subdued, delicate, and fragile beauty?

Bach's A minor piece exhibits aspects of both, making the judgment even more challenging. Learners are encouraged to try both the slow and fast versions and choose the one they find most convincing.