Bach, Johann Sebastian : Gigue f-moll BWV 845
Work Overview
Genre：gigue
Copyright：Public Domain
Commentary (2)
Author : Asayama, Natsuko
Last Updated: April 1, 2008
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Author : Asayama, Natsuko
Currently considered a spurious work. It is transmitted solely in the document (P 314) housed in the Berlin State Library, along with the Allemande in C minor (BWV 834). The critical report of the old complete edition already states, "a relatively new manuscript, careless and not very reliable." However, the true composer is not yet clear.
The opening begins with the right hand leading in imitation, but complex counterpoint does not develop. The lively rhythm of the gigue is extremely clear, and changes in range and texture lend color to the simple two-part writing. Even if it is not a work by Bach, it can be considered a small piece enjoyable for both performers and listeners.
It is not included in the New Bach Edition, and there are not many critical editions. A reliable score is provided in the old complete edition, Volume 42, pages 263-264.
Author : Ooi, Kazurou
Last Updated: October 30, 2023
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Author : Ooi, Kazurou
Originally written for oboe and guitar, pianists attempting this Gigue are strongly encouraged to find and listen to recordings of the original oboe and guitar version.
In the original, the treble clef part is for oboe and the bass clef part is for guitar, essentially making it a two-voice Gigue. While there is no strict necessity to reproduce the oboe and guitar sounds, those interested may attempt to emulate the two instruments through articulation. Since the upper voice is for oboe, play it with a smooth legato. As the lower voice is for guitar, playing the eighth notes with a dry staccato and slightly shortening the dotted quarter notes will create a more authentic sound.
However, if the approach is to leverage the characteristics of the piano when playing it on the instrument, that is certainly a valid option, in which case the articulation is free.
F minor, a key that holds special significance for Bach, yet this piece contains many optimistic elements and lacks chromatic progressions that express sadness. Therefore, it is perfectly acceptable to play it rhythmically and joyfully.
