This movement follows attacca from 'The Hut on Fowl's Legs (Baba Yaga)'. It is believed that the inspiration for this piece came from Hartmann's sketch, which depicts a gate for the city of Kyiv, in an Old Russian stone architectural style, with a Slavic helmet-shaped dome. However, this design was ultimately never realized. Incidentally, Hartmann, who not only produced sketches and watercolors but also designed stage sets and costumes, was by profession an architect. The tempo marking is Allegro alla breve, maestoso con grandezza. It is the largest in scale within the suite, and its musical content can be described as grand. Overall, the sound is created by weighty chords, and octaves are frequently employed. From the latter half, it becomes Meno mosso, sempre maestoso, and in the concluding section, it becomes Grave, sempre allargando, bringing the entire suite to a close with a magnificent sound.