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Pièces de clavecin avec une mèthode sur la mècanique des doigts
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"Premier rigaudon"
Rameau, Jean-Philippe : Pièces de clavecin avec une mèthode sur la mècanique des doigts "Premier rigaudon"
Work Overview
Music ID :
23658
Instrumentation:Piano Solo Genre:suite
Total Playing Time:3 min 20 sec
Copyright:Public Domain
Commentary (1)
Author : Ooi, Kazurou
Last Updated: June 17, 2024
[Open]
Author : Ooi, Kazurou
Last Updated: June 17, 2024
[Open]
Note: This article is automatically translated from the original Japanese text. The author of the original work did not supervise this translation.
Educators should first explain to learners what a Rigaudon is. Showing them a video will make it easier to understand. It is a joyful, lively French dance. As it is a piece in a lively tempo, either 2/4 or 4/4 time, overly slow performances are not desirable. Playing it with a feeling of 2/4 time will likely be correct.
Rigaudon I
- The key point for Rigaudon I is to make the listener perceive it as a complete two-part polyphony.
- Since it is repeated several times, when repeating, differentiate it from the previous performance; for example, you might bring the left-hand voice to the forefront.
Rigaudon II
- The key point for Rigaudon II is to be mindful of the ensemble.
- For instance, in the first two measures, the left hand proceeds in octaves. Imagine many instruments are playing.
- Then, in measures 3-4, a smaller ensemble appears. By playing the sections with a larger instrumentation forte and the sections with a smaller instrumentation piano, try to express the interesting interplay of the ensemble.
Writer:
Ooi, Kazurou
PTNA & Partner Channel Videos(3items)
Sheet Music
Scores List (1)

標準版 バロック・アルバム1 36の小品集
(株)音楽之友社
(株)音楽之友社