The key to this Courante is to incorporate clear dynamic contrasts. Both the first and second halves follow a progression of D minor → F major → D minor.

In contrast to the austere sound of D minor, F major brings a sense of calm. Try playing the F major sections gently, at a p (piano) dynamic. There is another logical reason for these dynamic changes based on key shifts. This is because the notes used in the F major sections are often in a lower register, whereas the D minor sections frequently reach the highest note of this Courante, A, or feature ascending sequences that build tension.

For example, in the second half, it begins in D minor, proceeds through a harmonic sequence, and then settles into F major. From there, it gradually ascends, reaching G once, and then triplets lead to the highest note, A. In F major, change the color, settle down, and reduce the tension. Performers should grasp this 'mountain shape' and determine appropriate dynamics accordingly.