This second movement is instrumental in character and should express the joy of ensemble playing. To achieve this, for example, in Minuet 1, dividing into small and large ensemble groups and highlighting their contrast will make the music more interesting. Physically, this is controlled by dynamics.

The dynamic markings written in this movement should fundamentally be maintained until the next dynamic marking appears. That is, if 'p' is written, the 'p' should be maintained until the next dynamic marking.

Therefore, play measures 1-4 at 'p' and measures 5-8 at 'forte', clearly distinguishing between them.

In the case of Minuet 2, although the composer's score contains no dynamic markings, in contrast to the vibrant and lively Minuet 1, the soft and flowing Minuet 2 may benefit from a somewhat flatter dynamic contour. Therefore, the use of some pedal is recommended.