This is the third movement, which progresses with alternating major and minor keys. While the minor sections may contain dramatic elements, and it is permissible to heighten the tension accordingly, the movement itself is not inherently high-tension, nor does it possess humor or playfulness. It is highly desirable for it to proceed with extreme 'elegance' or 'refinement'; therefore, extreme fortes and accents should be avoided. The opening 1-8 measures constitute the main theme of this movement, appearing repeatedly. It is important to conceive of this 8-measure theme as 4 measures x 2, creating a contrast between the first half (measures 1-4) and the second half (measures 5-8). In the author's score, mezzo forte is indicated for the first half and p for the second half, aiming to create contrast through dynamics. However, the most challenging aspect will likely be how to make these 8 measures sound captivating without becoming monotonous. To achieve this, one might consider dividing the first 4 measures into two 2-measure segments, and similarly, the second half can also be divided. From a harmonic perspective, measures 7-8 constitute a double dominant (borrowed chord), and the introduction of A-sharp does heighten the tension. However, it feels more like a moment of sophistication or allure rather than a place for extreme tension. What are your thoughts?