This third movement begins with an anacrusis. The theme often begins on the third beat with a tie, and when the theme is varied, for example, from measure 42 onwards, the theme's melody enters on the off-beat. In light of these matters, this third movement especially demands that the performer feel the beat. Clearly recognize where the strong beats fall, and play while "constantly counting in three." Otherwise, the listener will truly lose the beat and even the first beat will become indistinguishable.

In this sense, when sections change, or when rests continue as in measure 104, absolutely do not take any extra time; continue counting and proceed. For example, when transitioning to the next section at measure 24, ensure that the third beat of measure 25 is clearly heard as the third beat, so as not to lose the timing. From the beginning to the final measure, the music does not stop except for fermatas. There are no ritardandos whatsoever. From start to finish, proceed consistently at a single tempo, counting precisely, and unwaveringly.