A work with a clear sesquialtera rhythm. The glimpse of polytonal elements, which appeared in Danzas Argentinas, and the instruction 'marcato e violento' (marked and violent) at the beginning, indicate that the 'dance' in the title refers to the Malambo. In the final section, the increase in the number of notes from triads to four-note chords, and the clash of dissonances evoke the image of a brave gaucho dancing.