The mood and character of this Capriccio can be interpreted in various ways; some may perceive it as vibrant and optimistic, while others might find a serious aspect. This is left to the performer's discretion; there is no prescribed atmosphere, and the characterization is entrusted to the player.

However, this Capriccio might be more appropriate when performed at a relatively fast tempo, especially considering the interplay between the two voices.

The piece is in the following keys:

• g minor
• d minor
• c minor
• g minor

The theme is set to be three measures long, for example, measures 1-3. Measure 4 is not counted as its ending varies depending on the theme.

Within these three measures, three distinct sequence-like themes are written. First, grasp where these three themes are heading. For instance, the tension is higher in measure 2 than in measure 1, and measure 3 reaches the highest tension, which then subsides in measure 4.

Furthermore, ensure that the atmosphere varies with each key.

From measure 28, whole notes begin to appear. This should be imagined like an organ pedal. Play this section (from measure 28 onwards) loudly and improvise until the end.