The key of F major, as chosen by Bach, broadly encompasses two aspects: one that is strong, robust, fast, and vibrant, and another that expresses slow and very calm emotions. Naturally, this Allemande belongs to the latter category. To understand pieces by Bach in F major that express a calm aspect, please listen to the Prelude in F major from Book II of the Well-Tempered Clavier. It will be very helpful.

For these reasons, the 32nd notes and 16th note triplets appearing in this Allemande should, of course, not sound rushed. Therefore, please choose a rather relaxed tempo that allows these fine notes to be played effortlessly.

Regarding articulation, some performers play the triplets somewhat staccato, in a dry manner. This approach is acceptable. Even when played dryly, the triplets somehow do not sound particularly rushed.

In measures 17 and 21, as the intervals of 6ths and 9ths move in the same direction, slightly reducing the volume of the lower voice will make them sound more beautiful.