This Gigue is characterized by continuous 16th notes throughout, from beginning to end, which further enhances its sense of busyness and speed. In pieces featuring such an uninterrupted flow of notes, there is a risk of the dynamics becoming monotonous or the sense of pulse being lost if not executed carefully. It is crucial to consistently maintain the feeling of the triple meter and to utilize sequences to vary the dynamics. This is of paramount importance.

For this Gigue, it is also essential not to introduce any unnecessary pauses or delays when transitioning from the first half to the second.

In the first half, measures 17-23 serve as a primary peak point, and measures 25-28 are also sections where tension should be progressively built.

In the second half, at measure 47, the highest note C, representing the apex of this Gigue, is reached. It is advisable to establish a clear direction from measure 35, aiming towards measure 47, and to gradually increase the tension. From measure 53, a descending sequence commences, allowing for a diminuendo. However, an alternative approach is to continuously build tension from around measure 61 until the final measure. This is offered for your consideration.