This piece features legato thirds. While the upper voice should be played legato to ensure continuity, the lower voice should follow the upper with a light touch, without overly emphasizing legato or pressing down on the keys too much. This approach should facilitate performance. Envision the fresh morning air, and perceive the movement of both air and music as the music flows as if through deep breaths. It is important to avoid a heavy or ponderous sound by pressing down too firmly on the thirds. The final phrase, starting from measure 9, builds to a climax, ascending towards the highest note. Though perhaps a slight exaggeration, I perceive this moment as one that evokes the joy of living amidst the bounty of nature. Listen carefully to the sustain of the notes, and perform with full appreciation.