The rhythmic feel of the 5/4 meter, grouped as 3+2, skillfully portrays a limping or staggering motion. In A-B-A ternary form, the A section should evoke the feeling of a wobbly kid goat, ideally played with a soft tone, without accents at the beginning of slurs or elsewhere creating a harsh impression. From the B section, starting at measure 5, the dynamic becomes f, and the two-note descending motif seems to depict a goat crying out in deep sorrow, like 'Maa! Maa!' (or 'Ah! Ah!'). One may play this section with unreserved emotion, without holding back.