It traverses with 16th-note vibrato, exhibiting a shimmering quality. Employing whole-tone scales at the outset, it repeatedly modulates, linking triads in inversions, and only in the concluding section does it utilize the tonic C major I chord, which is the principal key. It unfolds ceaselessly, like an apparition. This piece manifests Palmgren's endeavor to alter his style by approaching Impressionistic compositional techniques.