Under the title, the piece's objective is stated as "Souplesse et développement des doigts faibles" (Flexibility and Development of Weak Fingers). Both hands feature a descending "D-C-B-A" motif. Play with vigorous momentum, following the flow. From measure 14, the hands switch roles, with the left hand taking the main melody, and the motif simultaneously becoming ascending. This section serves as the climax of the piece; perform it with energy. The "tan-ta-taan" rhythm, prevalent throughout this piece starting from measure 6, is characteristic and frequently observed in tarantellas by other composers. Produce a clear, resonant sound with a strong core.