The piece is in G major and binary form.

• A [a (measures 1-8) + a1 (measures 9-16)]
• B [b (measures 17-23) + b (measures 24-31)]

It commences with a very simple melody, reminiscent of a hymn, characterized by frequent repeated notes. Such repeated notes are often observed as a technique to express vocal elements on the piano rather than purely rhythmic ones. Therefore, the performer should aim to evoke the image of a hymn-like, non-vibrato vocal delivery.

In section B, the atmosphere abruptly shifts from the preceding quietude to forte. The individual forte markings on the two chords in measures 17-18 and 24-25 suggest not merely an increase in volume, but also a degree of emphasis. This section is bipartite: the initial four measures feature a powerful partial modulation to C major, while the latter half returns to the tonic G major, played piano. This section b is subsequently repeated, leading to the conclusion.