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Gurlitt, Cornelius : 20 leichte liebliche Klavierstucke 7.Hymme Op.155-7

Work Overview

Music ID : 49945
Instrumentation:Piano Solo 
Genre:pieces
Copyright:Public Domain

Commentary (1)

Author : Kumamoto, Ryohei

Last Updated: May 30, 2025
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Note: This article is automatically translated from the original Japanese text. The author of the original work did not supervise this translation.

The piece is in G major and binary form.

  • A [a (measures 1-8) + a1 (measures 9-16)]
  • B [b (measures 17-23) + b (measures 24-31)]

It commences with a very simple melody, reminiscent of a hymn, characterized by frequent repeated notes. Such repeated notes are often observed as a technique to express vocal elements on the piano rather than purely rhythmic ones. Therefore, the performer should aim to evoke the image of a hymn-like, non-vibrato vocal delivery.

In section B, the atmosphere abruptly shifts from the preceding quietude to forte. The individual forte markings on the two chords in measures 17-18 and 24-25 suggest not merely an increase in volume, but also a degree of emphasis. This section is bipartite: the initial four measures feature a powerful partial modulation to C major, while the latter half returns to the tonic G major, played piano. This section b is subsequently repeated, leading to the conclusion.

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