Performance Approach

Let's consider two possible interpretations. One is a performance that proceeds lightly, like a minuet, where quarter notes are played short and detached. The other is a performance with a smooth, song-like line, played legato and flowing. This essentially becomes a matter of tempo and articulation. While both approaches are possible, the author would choose the latter. The title "Aria" is one reason for this. Try a slightly slower tempo and a flowing style.

Structure and Key Changes

Within this short 16-bar piece, the key modulates from D minor to F major, then to C major, and back to D minor. In the first half, as it moves from D minor to F major, please change the atmosphere between measures 1-4 and measures 5-8.

In the second half, the B natural in measure 10 evokes C major, but the C sharp in measure 12 brings it back to D minor. This C sharp is quite a surprising note. Although the right hand descends from measure 11, it would be effective to build a crescendo towards this C sharp. It is indeed a note with a strong impact.