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Khachaturian, Aram : *in preparation* *in preparation*

Work Overview

Music ID : 55788
Instrumentation:Piano Solo 
Genre:pieces
Copyright:Under Copyright Protection

Commentary (1)

Author : Ooi, Kazurou

Last Updated: March 12, 2018
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Note: This article is automatically translated from the original Japanese text. The author of the original work did not supervise this translation.

4. Ivan is Very Busy

The key points to note in this etude are tempo and lightness. While subjective, a brisk tempo is desirable, as too slow a tempo can make it sound heavy. Lightness is determined by staccato and articulation. It is desirable to play staccato with the shortest possible touch.

Achieving short staccato requires strong fingers. It is recommended to strengthen your fingers and muscles through basic exercises. Approximately 80-90% of the eighth notes in this piece can be considered staccato.

Another point to note is balance. Since the melody line and accompaniment are very close in position, achieving balance is essential. Now, let's look at the score. The form is ABA, with the first A section spanning measures 1-21. Within this section, there are two points that reach a peak. One is measure 13, and the other is measures 20-21. Following the score from measure 1, you will notice that the left hand progresses chromatically, descending as it moves forward. However, in this case, even though it is descending towards measure 13, gradually increase the volume. The first peak is reached in measures 13-14; the right-hand chord here should be played as strongly, shortly, and sharply as possible, clearly bringing out the upper notes, B and F, with the pinky finger.

The B section begins at measure 22; enter measure 22 without taking too much time. From measure 22, it shifts to F minor. In measure 37, the repeated F notes should be played like percussion. Measures 39-49 will be the peak of this section. During this period, maintain a sharp staccato for the eighth notes. This section extends to measure 51, and from measure 52, the A section returns.

I will explain a practice method for the chord in measure 13. When playing such sharp chords, "explosive power" (瞬発力) is key. Explosive power refers to a momentary burst of force, not continuous exertion. Let's try it in practice. We will use the chord in measure 13. Place your right hand on the keyboard. Des F B can be played with fingers 1, 2, and 5. Without pressing the keys down (without playing), place your hand from above, keeping your fingers in contact with the keys. Next, while maintaining that position (caution: do not lift your fingers when playing), apply a momentary strong force. When you do this, at the instant the key reaches its lowest point, the force will rebound; allow this rebound to quickly lift your wrist upwards. It's like touching something hot and quickly pulling your hand away – it's truly instantaneous, but this explosive power produces a good sound. Instead of preparing or bracing yourself with "Okay, I'm going to apply force," make it an instantaneous action, as if electricity just ran through you. The sensation is less about pressing the keys down and more about the wrist or arm lifting by rebound. For your reference.

Writer: Ooi, Kazurou
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