Written in a style that is more reminiscent of German classical composers such as Beethoven and Hummel than of French composers. The form is also interesting, possessing two themes like the exposition of a sonata. The opening theme is marked "extremely light (leggeremente)", while the second theme, in the parallel minor (D minor), is written with a "singing (cantando)" character. In between, the triplet figure is entrusted to the left hand, but eventually, both hands play in unison in the coda. The equality of both hands is consistently emphasized throughout this collection.