This is a typical writing style of the French Overture. The opening sinfonia of the Partita in C minor is also similar, characterized by its dotted rhythms, which can even be played more sharply than written. This overture is distinguished by its majesty and was established by the composer J.P. Lully, who was employed by Louis XIV.

While the dotted rhythms create liveliness, they primarily convey a sense of solemn majesty. However, care must be taken to ensure the dotted rhythms never become loose.

Many of Bach's compositions in G minor tend to reveal a rather serious aspect. In this sense, too, do not forget to "be careful not to make it sound frivolous."

These dotted rhythms persist from beginning to end. This piece can easily become dynamically flat if not handled carefully. Try playing it by reducing it to chords to understand the harmonic progression. Also, consider where the peak points are reached and strive to give the piece "direction."