This is an energetic and enjoyable fugue in a minor key. The tempo should be considered Allegro or faster. Articulation is very important in this fugue, as it is integral to the performance.

First, all quarter notes in this fugue should be played staccato. As for half notes, it is best if they can be played legato and seamlessly. And for triplets, if possible, they should be played non-legato and dry, close to staccato.

Regarding the balance of these different note values, it will be clearer if the triplets are played weakest, followed by the half notes, and the quarter notes are brought out most distinctly. Half notes actually serve two main roles. Firstly, because there are many stepwise progressions in the piece (e.g., measures 15-16), they often play a background role. Secondly, conversely, in cases where half notes serve as a link to the subsequent triplets, such as in the left hand in measures 39-40, they may be emphasized more than other voices.

The performance should be metronomically accurate. By doing so, when approaching the peak points in the piece, the triplets will have the effect of pressing upon the listener.