This piece primarily features phrases in two-bar units. The important aspects regarding the 12 phrases within this piece are:

1. Control the dynamics
   Begin by adhering to the written dynamic markings.
2. Differentiate expression, character, and sentiment
   Perceive the psychological depiction of the 12 phrases and express each phrase using distinct timbres and shaping.
3. Establish directionality
   For each phrase, try to determine the direction it is heading towards, i.e., which note it is leading to.
4. Pay attention to non-harmonic tones
   For example, bar 4 is a dominant chord, composed of B-D#-F#. Therefore, the E in the right hand on beat 1 becomes a non-harmonic tone, specifically a suspension. Non-harmonic tones should be emphasized, so this E may be given a slight accent. Furthermore, non-harmonic tones inherently resolve to a harmonic tone. In this case, it resolves to D# on beat 2, so do not apply force to the D# and reduce its volume compared to the E.

Generally, the use of the pedal is mostly unnecessary.