Normally, in variations, the tempo remains consistent unless specific indications suggest otherwise. However, in this particular piece, flexible tempo adjustments are essential for coherence. Handel's variations typically exhibit an increase in tension in their latter half; therefore, tempo adjustments should anticipate this characteristic.

Consequently, for coherence, the tempo of Variation 1 must be faster than that of the opening eight measures. One approach could involve a gradual increase in tempo with each successive variation following the theme. This gradual acceleration may continue until the Adagio of Variation 9.

Upon concluding Variation 9, marked Adagio, there is no subsequent tempo indication for Variation 10. From this point until Variation 21, the tension progressively escalates, intensifying further upon modulation to a major key. Working backward, it is advisable to commence Variation 10 at a relatively slower tempo following the Adagio.

Furthermore, a crucial point warrants attention: This composition is in triple meter and must be performed accordingly. Should the opening theme present technical challenges, a reduction in tempo is permissible, provided strict adherence to the triple meter is maintained. Subsequent variations also consistently maintain the triple meter. Anticipating that listeners will perceive the piece in triple meter, it is imperative to avoid any disruption to the rhythmic integrity.