A major, 2/4 time.Chopin's Etude Op. 25, No. 1"Aeolian Harp."This piece bears a strong resemblance to. The melody line should be sung in long, horizontal phrases, while the ornamental arpeggios should be soft, serving as a background. Perform with an awareness of differentiating touches. Several sections emerge where a sense of shadow is present, leading to the parallel minor, A minor, through the use of borrowed chords and modulations. It would be beneficial to savor these subtle minor (shadowy) passages and express them beautifully. For the sixteenth-note arpeggios, control the timbre and touch to create a cohesive harmony, ensuring that the hands do not become disjointed.