In the final movement, as the title suggests, various elements of the malambo are employed, such as the repetition of IV-V-I chord progressions and the sesquialtera rhythm. Passages with the insistent repetition of the same musical figure are as if a young man from the city is bravely challenging gauchos who take turns performing zapateo. Finally, a triumphant fanfare rings out, announcing the joy and victory of the young man from the city who has won the maiden's heart, and the movement concludes brilliantly.