Takata, Saburo 1913 - 2000

Author: Nakatsuji, Maho
Last updated:April 20, 2018
Author: Nakatsuji, Maho
Saburo Takata
Saburo Takata was a composer and conductor who was particularly active in the choral domain. In addition to instrumental music, he composed numerous liturgical hymns.
Born in Nagoya on December 18, 1913, Saburo Takata grew up in an environment where music was readily accessible. His home had a phonograph, which was rare at the time, providing him with opportunities to listen to records. Furthermore, his father enjoyed Hosho-ryu Noh chanting, and his mother practiced Ikuta-ryu koto daily. He spent his elementary school years with his elder brother, who played the shakuhachi, and friends who loved folk songs and biwa. In middle school, he began to play the piano, which his siblings had started learning. There was also a church near his home, allowing him to become familiar with hymns from an early age.
In 1932, he enrolled in the Teacher Training Course at Musashino Music School (now Musashino Academia Musicae), where he received his first lessons in harmony from Taijiro Kure. Subsequently, he studied under Kiyoshi Nobutoki and K. Pringsheim in the Composition Department of the Tokyo Music School (now the Department of Composition, Faculty of Music, Tokyo University of the Arts), graduating in 1939. His graduation work, Octet, strongly reflects the influence of I. Stravinsky. Takata continued his studies in the research course at Tokyo Music School, completing Fantasy and Double Fugue on a Yamagata Folk Song (later retitled Ballade on a Yamagata Folk Song), and finished the research course in 1941. He continued to study composition and conducting under H. Fellmer and J. Rosenstock, but due to the intensification of air raids, he relocated to Nagano. During this period, he conceived Preludes for Piano.
After the Pacific War, he returned to Tokyo and began teaching younger generations at Musashino Music School from 1946 and at Kunitachi College of Music from 1953. In 1948, he formed the composer group "Chijinkai" with Kishio Hirao, Kohmei Abe, and Kiyohiko Kijima, and during the group's activities until 1955, he presented works such as Sonata for Violin and Piano. From the 1960s onward, he composed many choral works commissioned by NHK. He first collaborated with Kikuo Takano on Watashi no Negai (My Wish) in 1961, and numerous masterpieces created by this duo have since been cherished and sung by choirs as part of their repertoire. Notably, Mizu no Inochi (The Life of Water) has been performed in various arrangements since its premiere in 1964. The cantata Musei Dokoku (Silent Lament) based on Kenji Miyazawa's poetry (1964) and the mixed chorus Kokoro no Shiki (Four Seasons of the Heart) based on Hiroshi Yoshino's poetry (1967) are also powerful works that have continued to impress audiences since their premieres. In 1969, he received the Arts Festival Grand Prize for Hashi-jo no Hito (Man on the Bridge).
As a Catholic, he composed over 200 liturgical hymns, and in 1992, he was awarded the Knight Commander of the Order of St. Sylvester by Pope John Paul II. He passed away on October 22, 2000. His published works include Kuina wa Tobazu ni (Ongaku no Tomo Sha, 1988), Kishikata (Ongaku no Tomo Sha, 1996), and Hitasura Inochi (Kawai Publishing, 2001).
Author : Sudoh, Eiko
Last Updated: August 1, 2006
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Author : Sudoh, Eiko
Born in Nagoya. He studied composition and conducting at the Tokyo Academy of Music (now Tokyo University of the Arts), under the tutelage of Pringsheim, Gurlitt, Nobutoki Kiyoshi, and others. From that time, he focused on Japanese texts and melodies, creating works that utilized them. In 1948, after the war, he formed "Chijinkai" with Kishio Hirao, Komei Abe, and others, publishing songs and chamber music. Subsequently, prompted by a commission from NHK, he became devoted to choral works. He left behind numerous masterpieces, such as "Mizu no Inochi" (1964), which are still part of the repertoire of choirs nationwide. As a Catholic, he also composed many liturgical hymns. He was also active as a choral conductor.
Author : Nakatsuji, Maho
Last Updated: April 20, 2018
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Author : Nakatsuji, Maho
Saburō Takata: A Biographical Sketch
Saburō Takata was a composer and conductor who was active in various musical fields. He composed numerous sacred songs for ceremonies, as well as instrumental music.
Early Life and Musical Background
Born on December 18, 1913, Takata grew up in an environment rich in music. His home featured a record player, a novelty at the time, which allowed him to listen to a wide variety of recordings. His father studied Noh chant of the Hōshō school, and his mother practiced sōkyoku (koto music) daily. During his elementary school days, he was surrounded by his brother, who played the shakuhachi, and friends who enjoyed folk songs and biwa music. His brother and sister began learning the piano, and Takata himself started piano studies in junior high school. The proximity of a church to his home also exposed him to Christian hymns early in his life.
Education and Wartime Compositions
In 1932, Takata enrolled in the teacher training course at Musashino Ongaku Gakkō (Musashino Academy of Music), where he studied the fundamentals of harmony under Taijirō Gō. He later became a pupil of Nobutoki and K. Pringsheim at Tokyo Ongaku Gakkō (Tokyo Academy of Music, now the Faculty of Music at Tokyo University of the Arts), graduating in 1939. His graduation work, “Hachijūsōkyoku (Octet),” was composed under the influence of I. Stravinsky. He continued his studies in the graduate course at Tokyo Ongaku Gakkō, completing it in 1941 with “Yamagata-minyō niyoru Fantasy to Nijyū-fuga” (Fantasy and twofold Fugues based on folk songs of the Yamagata region), which was later revised as “Yamagata-minyō niyoru Ballade (Ballade based on Yamagata Folksongs).” Takata further pursued composition and conducting under H. Fellmer and J. Rosenstock. However, due to the escalating severity of airstrikes, he was compelled to relocate to Nagano Prefecture, where he began composing his “Preludes for Piano.”
Post-War Career and Choral Works
After the Pacific War, Takata returned to Tokyo. He dedicated himself to training the younger generation, teaching at Musashino Ongaku Gakkō from 1946 and at Kunitachi Ongaku Daigaku (Kunitachi College of Music) from 1953. In 1948, Takata co-founded the composition group ‘Chijinkai’ with Kishio Hirao, Kōmei Abe, and Kiyohiko Kijima, actively participating until 1955 and performing works such as his “Sonata for violin and piano.”
In 1960, at the request of NHK, Takata began composing works for choir. His first collaboration with poet Kikuo Takano was “Watashi no Negai (My Wish)” in 1961, leading to numerous significant pieces by Takata and Takano that are now staples in many choral repertoires. Notable works include:
- “Mizu no Inochi (Life of Water),” first performed in 1964, which has since been sung in various formations.
- “Kokoro no Shiki (Four Seasons of Mind)” for mixed choir, set to a poem by Hiroshi Yoshino.
- The cantata “Musei Dōkoku (Silent Wailing),” with a poem by Kenji Miyazawa.
These works have consistently left a profound impression on audiences since their premieres. In 1969, Takata was awarded the grand prize of the National Arts Festival for his composition “Kyōjō no Hito (A Man on a Bridge).”
Religious Contributions and Later Life
As a devout Catholic, Takata contributed over 200 pieces of liturgical choral works written in the Japanese language. In recognition of his contributions, he received the Pontifical Order of Pope St. Sylvester from Pope John Paul II in 1992. Saburō Takata passed away on October 22, 2000.
Publications
Takata authored several books, including:
- “Kuina ha tobazuni (Water Rail don’t fly),” published by Ongaku No Tomo Sha in 1988.
- “Koshi kata (Days done by),” published by Ongaku No Tomo Sha in 1996.
- “Hitasura na Inochi (Fervently Life),” published by Kawai Shuppan in 2001.
Works(8)
Piano Solo