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Brahms, Johannes : Ungariche Tänze WoO.1

Work Overview

Music ID : 1540
Composition Year:1858 
Publication Year:1869
Instrumentation:Piano Ensemble 
Genre:transcription
Total Playing Time:53 min 00 sec
Copyright:Public Domain

Commentary (1)

Author : Okada, Akihiro

Last Updated: December 1, 2008
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Note: This article is automatically translated from the original Japanese text. The author of the original work did not supervise this translation.

When Brahms toured Germany as an accompanist for the violinist Eduard Reményi (1830-1898), he became acquainted with Romani folk music. Believing it to be Hungarian folk music, he decided to transcribe and arrange it for publication. Of this collection, arranged for piano four-hands, an attempt was first made to publish six pieces by Simrock in 1867, but this was unsuccessful. Two years later, in 1869, Nos. 1-10, comprising two sets, were published and met with great success.

Later, in 1880, Nos. 11-21, also comprising two sets, were published, forming the now-known collection of 21 "Hungarian Dances." In 1872, Nos. 1-10 were arranged by Brahms himself for solo piano and published (see "10 Hungarian Dances").

Although often performed by orchestra, only Nos. 1, 3, and 10 were orchestrated by Brahms himself, specifically for a concert conducted by Brahms in Leipzig on February 5, 1874.

Orchestrations of the other numbers have been undertaken by various conductors and composers, with those by Dvořák (1841-1904) for Nos. 17-21 being particularly noteworthy. Furthermore, Joseph Joachim (1831-1907), a violinist and friend of Brahms, arranged some for violin and piano duo, and Fritz Kreisler (1875-1962), also a violinist, is well-known for his duo arrangement of No. 17.

It is well-known that Brahms was involved in a lawsuit with Reményi concerning the "Hungarian Dances." This clearly shows that even in an era when the modern concept of copyright had not yet been established, composers already had an awareness of the rights to their works. Fortunately, in this lawsuit, Brahms prevailed because the collection was deemed an "arrangement" rather than an "original creation."

Writer: Okada, Akihiro

Movements (21)

Allegro molto

Key: g-moll  Total Performance Time: 3 min 00 sec 

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Allegro non assai

Key: d-moll  Total Performance Time: 3 min 30 sec 

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Allegretto

Key: F-Dur  Total Performance Time: 2 min 30 sec 

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Poco sostenuto

Key: f-moll  Total Performance Time: 4 min 00 sec 

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Allegro

Key: fis-moll  Total Performance Time: 2 min 00 sec 

Vivace

Key: Des-Dur  Total Performance Time: 3 min 30 sec 

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Allegretto

Key: A-Dur  Total Performance Time: 2 min 00 sec 

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Presto

Key: a-moll  Total Performance Time: 2 min 30 sec 

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Allegro non troppo

Key: e-moll  Total Performance Time: 2 min 30 sec 

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Presto

Key: E-Dur  Total Performance Time: 2 min 00 sec 

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Poco andante

Key: d-moll  Total Performance Time: 3 min 30 sec 

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Presto

Key: d-moll  Total Performance Time: 2 min 30 sec 

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Andantino grazioso

Key: D-Dur  Total Performance Time: 1 min 30 sec 

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Un poco andante

Key: d-moll  Total Performance Time: 2 min 00 sec 

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Allegretto grazioso

Key: B-Dur  Total Performance Time: 2 min 30 sec 

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Con moto

Key: f-moll  Total Performance Time: 2 min 30 sec 

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Andantino

Key: fis-moll  Total Performance Time: 3 min 30 sec 

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Molto vivace

Key: D-Dur  Total Performance Time: 1 min 30 sec 

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Allegretto

Key: h-moll  Total Performance Time: 2 min 00 sec 

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Poco allegretto

Key: e-moll  Total Performance Time: 2 min 30 sec 

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Vivace

Key: e-moll  Total Performance Time: 1 min 30 sec 

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Reference Videos & Audition Selections(2items)

右松 大力/前田 日佳里(入選)
原口 摩純, 永澤 真紗恵

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Scores List (63)