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Burgmüller, Johann Friedrich Franz : 25 Etudes faciles et progressives, conposées et doigtées expressément pour l'étendue des petites mains Ave Maria Op.100-19

Work Overview

Music ID : 23994
Instrumentation:Piano Solo 
Genre:etude
Total Playing Time:1 min 30 sec
Copyright:Public Domain
Additional Notes:表記ゆれの例: アベマリア アベ・マリア

Commentary (3)

Author : Sato, Takashi

Last Updated: January 31, 2022
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Note: This article is automatically translated from the original Japanese text. The author of the original work did not supervise this translation.

Without even waiting for the "religioso" (reverently) indication, this piece imitates a choir singing in a Catholic chapel. To express the long reverberation of a cathedral, the use of the pedal will be essential. Master the use of legato pedaling, where the pedal is changed slightly after the key is struck. Colorful altered chords beautifully adorn the piece like stained glass, but the half cadence on the dominant of the VI degree in measure 16 is a particularly miraculous moment.

Performance Points (Original Tempo ♩=100)

  • Measures 1-8 feature a four-voice harmony, while measures 9-16 feature a three-voice harmony. Experiment to find the optimal balance.
  • Although not indicated in the score, imagine a choir and incorporate natural breaths (pauses) throughout.
  • From measure 17 onwards, an eighth-note accompaniment figure is added; be careful, as using the pedal can make this sound noisy.
  • Also savor the sound of the mordent on the IV degree in measure 27.

(From To-on Edition "25 Etudes by Burgmüller" (NS70))

Writer: Sato, Takashi

Author : Iida, Arisa

Last Updated: March 15, 2018
[Open]
Translation in Progress
Writer: Iida, Arisa

Author : Ooi, Kazurou

Last Updated: January 31, 2019
[Open]
Translation in Progress
Writer: Ooi, Kazurou

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アヴェ・マリア
末田 龍之眞(入選)

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