"Charming Waltz" Op. 54-2

The introduction begins with a dominant ninth chord in D-flat major. The upper voices of the chord descend chromatically, expressing "light and shadow" through the chord progression. It is a romantic and fantastical introduction.

The main theme begins at measure 12. A gentle theme in unison is presented. Occasionally, the melody is lowered by a semitone, casting a slight shadow. This compositional technique is frequently observed in Palmgren's works. From measure 29, the motif transforms into triplets an octave higher. It develops with flowing arpeggios. The left hand proceeds in parallel with the right, and a brilliant and graceful melody dominates overall.

The development section spans from measure 45 to 66. It exhibits the form of an exhilarating waltz. The third of the chord is lowered by a semitone, creating a shaded effect. This is a brilliant section, fully expressing a delicate sensibility towards harmony. It conveys a sense of solitary spirit, rushes brilliantly, and concludes with powerful chords.

At measure 62, it modulates to F minor, and the C section begins. The musical character suddenly takes on a mournful quality. From measure 75, the accompaniment ascends with arpeggios. The tonality modulates to B-flat minor at measure 79. Arpeggiated chords flow beneath the octave melody. From measure 84, it modulates back to F minor and concludes quietly.

From measure 86, it modulates to A-flat major, transforming into a bright waltz. It develops brilliantly, frequently employing chromatic progressions. After ascending in scales, it modulates to F minor at measure 95, and then to C major from measure 98. Double stops leap and ascend brilliantly, resolving to the tonic chord of C major.

From measure 104, the C section is recapitulated. From measure 116, the melody descends, and the dominant seventh chord resolves to the tonic chord. It concludes with a phrase full of transparency. The texture is rich in shimmering sounds, utilizing the high register, characteristic of Palmgren's music.

From measure 120 to 128, the final notes of the transitional phrase ascend chromatically, and the theme modulates from F minor to the tonic key of D-flat major.

From measure 127 to 161, the main theme is recapitulated. As it approaches the conclusion, it conveys a sense of transience. Compared to the brilliance of Chopin's waltzes, it reflects the solitary and introspective spirit of the Nordic people.

From measure 161, the coda begins. It repeats a single motif, resulting in an expression tinged with a hint of sadness. It resolves to the tonic chord.