Performance Notes for the Third Movement

When performing this third movement, please observe two specific points.

• Note Repetition and Articulation:
  This third movement frequently involves carrying over notes from the previous measure into the next, including suspensions. This often results in the same note being played twice consecutively. For instance, in measures 1-5, the final note of a measure in the right-hand melody line is repeated in the subsequent measure. It is crucial to avoid playing these two instances of the same note with identical volume or duration. Playing identical notes with the same articulation can sound jarring; therefore, utmost care is required.
  If an accent is to be applied, it should be placed on the quarter note of the first beat. The note on the off-beat of the second beat should be played softly and as short as possible, ideally with a staccato. This is particularly important in sections where 3rds or 6ths are added to the melody line. On the second beat, both notes should be played with a short staccato, creating a light, "jumping" or "dancing" effect with the fingers on the keys.
• Suspensions and Resolution:
  A suspension (稽留音) is a non-harmonic tone that resolves to a consonant resolution note. Consequently, the non-harmonic tone and its resolution note should not be played with the same dynamic level. For example, if the melody D on the first beat of measure 2 is considered a suspension (non-harmonic tone), then the C# on the second beat is its resolution. Therefore, avoid emphasizing the resolution note.

Please endeavor to apply these two considerations in your performance.