Unlike the first movement, which is profound and, depending on one's interpretation, even possesses a solemn atmosphere, the second movement is filled with Haydn's humor, vivacity, and joy. This movement can be played at a considerable speed without feeling oppressive, maintaining a consistent tempo (avoiding tempo changes in different sections). Therefore, it is acceptable to increase the speed as much as possible.

One point to note is the placement of dynamic markings. In measure 2, there is a 'p' marking after the 'forte', and this 'p' is placed precisely on the off-beat of the second beat. The same applies to measure 6 (and subsequently). The entire piece is characterized by a contrast between 'p' and 'f', which alternate. Therefore, ensure a clear distinction between 'p' and 'f'.

Throughout the movement, minimize the use of the pedal. From measure 25 onwards, the pedal must be used for ties and for third progressions. However, in other sections, use the pedal only momentarily (solely for the purpose of connecting intervals like sixths) and respect the staccato markings.