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Haydn, Franz Joseph : Sonate für Klavier Nr.54 Mov.2 Presto

Work Overview

Music ID : 32239
Instrumentation:Piano Solo 
Genre:sonata
Total Playing Time:2 min 30 sec
Copyright:Public Domain

Commentary (2)

Author : Ooi, Kazurou

Last Updated: April 3, 2025
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Note: This article is automatically translated from the original Japanese text. The author of the original work did not supervise this translation.

Unlike the first movement, which is profound and, depending on one's interpretation, even possesses a solemn atmosphere, the second movement is filled with Haydn's humor, vivacity, and joy. This movement can be played at a considerable speed without feeling oppressive, maintaining a consistent tempo (avoiding tempo changes in different sections). Therefore, it is acceptable to increase the speed as much as possible.

One point to note is the placement of dynamic markings. In measure 2, there is a 'p' marking after the 'forte', and this 'p' is placed precisely on the off-beat of the second beat. The same applies to measure 6 (and subsequently). The entire piece is characterized by a contrast between 'p' and 'f', which alternate. Therefore, ensure a clear distinction between 'p' and 'f'.

Throughout the movement, minimize the use of the pedal. From measure 25 onwards, the pedal must be used for ties and for third progressions. However, in other sections, use the pedal only momentarily (solely for the purpose of connecting intervals like sixths) and respect the staccato markings.

Writer: Ooi, Kazurou

Author : Saitoh, Noriko

Last Updated: February 9, 2020
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Note: This article is automatically translated from the original Japanese text. The author of the original work did not supervise this translation.

The second movement, Presto, is in 4/4 time. Like the first movement, it is written in G major and in rondo form. Furthermore, in the first one and a half measures, the tonic is sustained by repeated notes in the left hand. The first subordinate theme is in G minor, and in that respect, it differs from the first movement, where the first subordinate theme was also in G major. Moreover, it exhibits increased vivacity compared to the first movement, and in this, one can observe a change in character between the two movements of this piano sonata, which juxtapose the same rondo form in the tonic key.

Writer: Saitoh, Noriko