The second movement can be considered an operatic aria, featuring a very dramatic development. Augmented sixth chords create dramatic scenes, while suspensions express a sentimental aspect. From measure 33 onwards, it is a repetition of the A section, but it should be regarded as a variation of the A section.

This second movement is extremely fantastical and can be considered a world within a dream. For instance, measures 1-2 present the main theme of this movement; its characteristic feature is the sustained E pedal tone (organ point), which creates a unique atmosphere. This might express a feeling full of hope, or perhaps an expression of love. This main theme reappears at any time, restoring the atmosphere of each moment. For example, even if a serious drama unfolds between measures 29 and 32, this theme returns at measure 33. And somehow, the sudden return of the main theme does not feel unnatural.

At measure 9, a dramatic development begins, and while some might analyze a modulation to C major at measure 10, the appearance of A-sharp on the third beat of measure 11 foreshadows E major once again. Measure 11 features a series of suspensions, creating a sentimental drama, and a cadence is reached at measure 12, where A-sharp also functions as a suspension.

Performers should interpret each of these sections with different emotions. Personally, I believe a certain degree of improvisation is acceptable, provided the basic timing is maintained.