Initially written for "12 trombonists," it was later composed for "flute, horn, and strings" between 1986 and 1989. The latter version was specially created for Arkady Shilkloper, Rosenblatt's friend and a horn player. It is undeniably a purely romantic work. While reminiscent of Tchaikovsky, it also incorporates jazz chords and rhythms. The piece features an ineffably enchanting harmony, where sounds sometimes fleetingly cease, and at other times, rhythms are etched as if dancing.