This piece is in ternary form:

• A (measures 1-12)
• B (measures 13-20)
• A (measures 21-33)
• Coda (measures 34-35)

The tonality is a ritsu scale with F as the tonic and D, its sixth degree, as the final. This gives the piece an East Asian atmosphere.

In the theme (measures 1-8), the main melody begins with two gong-like sounds a perfect fifth apart. Interestingly, considering the flow at measure 21, these opening four measures of gong sounds are not an introduction but rather an integral part of the theme.

The tempo indication is "Softly, with gentle movement." Considering the word "Chinese" written in the text from measures 13-14, it is likely that this also incorporates the nuance of traditional Chinese instruments.

There are no dynamic markings throughout the entire piece. The composer likely intends for each performer to interpret the expressive nuances by imagining the atmosphere and setting based on the text and the musical structure.