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Reicha, Antoine 1770 - 1836

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  • Author: Maruyama, Yoko

  • Last updated:March 12, 2018
  • Translation in Progress
    Author: Maruyama, Yoko
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    Author : Saitoh, Noriko

    Last Updated: October 1, 2008
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    Note: This article is automatically translated from the original Japanese text. The author of the original work did not supervise this translation.

    A composer of Czech origin, he is better known for his theoretical writings than for his musical compositions. After studying violin, flute, and piano with his uncle, he studied composition with Beethoven and Neefe. He enrolled at the University of Bonn, where he met Haydn. Subsequently, he continued to compose while teaching piano, harmony, and composition in Hamburg. In the 19th century, he moved to Paris and later became a naturalized citizen. At the Paris Conservatoire, he served as a professor of counterpoint and fugue, mentoring figures such as Berlioz, Liszt, and Franck.

    Reicha is recognized for his contributions as a music theorist in the 19th century. Three of his treatises, Traité de mélodie (1814), Cours de composition musicale (1816–1818), and Traité de haute composition musicale (1824–1826), were published in German translation by Czerny.

    Writer: Saitoh, Noriko

    Works(7)

    Concerto (1)

    concerto (1)

    Konzert für Klavier und Orchester Nr.1

    Key: Es-Dur  Composed in: 1804 

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    Piano Solo (6)

    sonata (1)

    Piano Sonata Op.43

    Key: Es-Dur 

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    rondo (1)

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    etude (1)

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    fantasy (1)

    Fantasia Op.61

    Key: e-moll  Composed in: 1807 

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    variation (1)

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    fuga (1)