This sonata, written in C minor, lacks optimistic elements, instead possessing beauty and a certain dramatic intensity. It begins solemnly with eighth notes and quarter notes, gradually introducing sixteenth notes as the piece progresses. As the music unfolds, the hands separate, concluding the first half. The second half similarly commences with quarter notes and eighth notes, incorporating sixteenth notes as it develops, and finally, the hands expand with a weighty chord.

In essence, both the first and second halves require a sense of direction, progressing towards their respective final measures. Both halves should begin quietly (p) and gradually increase in volume, building to the final measure. The same phrase continues for measures 10-12 and 24-26. When the same phrase repeats, one might be tempted to play one part forte and the other piano; however, here, the volume should be gradually increased over these three measures to reach the cadence. At the end of the second half, the tempo should be slightly broadened to conclude dramatically.